Yayoi Kusama: Infinity and Beyond  with Dr. Jennie Hirsh

Yayoi Kusama: Infinity and Beyond with Dr. Jennie Hirsh


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Can't make this time? A video recording will be sent to all participants after the seminar.

From polka dots to performance, this seminar focuses on the career of Japanese artist Yayoi Kusama (b. 1929). For more than six decades, Kusama has captivated audiences with her singular sculptures, enigmatic installations, purposeful prints, and more. Delving into her  passionate practice replete with flowers, polka dots, and mirrors that reflect her ongoing challenges to balance her emotional and artistic well-being, this conversation provides an overview of how Kusama contributed to the history of art in  unique and meaningful ways. Through in-depth looks at her early painted works on paper and Narcissus Garden for the 1966 Venice Biennale to her more recent, large-scale installations and so-called Infinity Rooms, this seminar offers both a survey and analysis of this artist whose poignant works and peculiar iconography combine aspects of pop art, feminism, eroticism, and conceptual art to new and productive ends. 

Led by an expert on modern and contemporary art, Dr. Jennie Hirsh, this Conversation will explore the life and career of this Designed to inform curiosity as well as future travels, participants will come away with an increased knowledge of both the significance of and context for Yayoi Kusama's works.

Jennie Hirsh (Ph.D., Bryn Mawr College) is a Professor of Modern and Contemporary Art at the Maryland Institute College of Art. She has held postdoctoral fellowships at Princeton and Columbia Universities, as well as pre-doctoral fellowships from the Mrs. Giles Whiting Foundation, the U.S. Fulbright Commission, the Gladys Krieble Delmas Foundation, and the Wolfsonian FIU. Hirsh has authored essays on artists including Giorgio de Chirico, Giorgio Morandi, Felix Gonzalez-Torres, Yinka Shonibare, and Regina Silveira, and is co-editor, with Isabelle Wallace, of Contemporary Art and Classical Myth (Ashgate 2011).

This conversation is suitable for all ages.

90 minutes, including a 30 minute Q&A.

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